1 woman, 1 man this play, inspired by a text by sarah cane, is divided into two parts. in the first part, stylised poetically and linguistically for puppets, a puppet-woman appears in an inner monologue related to the sleeping puppet-man also onstage. in this part of the play the puppet-woman herself speaks most of the man's lines, which are supposed to evoke important moments of their relationship. the puppet-woman plays them over, parodies them, treats them with irony. the first part takes place in the early morning, after a night spent together. separate motifs are associatively layered and piled up. in the second naturalistically conceived part, the man meets the woman in the evening. the characters play essentially the same situation on which the puppet-woman reflected. through being dismembered into the lines of the characters, the texts of the inner monologue gain rapaciousness and rawness. the second part could be understood as the evening before the night spent together. two barren lovers meet, tossing between love and hate, tenderness and brutality, mutual exhaustion and the need to be with each other, in a vicious circle of longing and its discharge. by inverting the time, the two parts of the play illuminate each other and at the same time throw light on the one-sided interpretation of the relationship between a man and a woman.

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Kipling's "the end of the passage, " "the strange ride of marby jukes" and "the mark of the beast." the letter also recommended: de maupassant's "boule de suif" and "le maison tellier, " stephen crane's "the open boat" and "the blue hotel, " ambrose bierce's "an occurrence at owl creek bridge, flaubert's "un coeur simple" and madame bovary, thomas mann's "disorder and early sorrow" and buddenbrooks. the advice concluded with, "skip all late mann." "letter to a young writer, " mark twain journal 11, no. 4 summer 1962 ; : 10. for reproductions of pages of the magic mountain used as a fishing log, see our preliminary report on finca viga see note 136 ; and plate 12 below. 62. lillian ross, portrait of hemingway new york: simon & schuster, 1961 ; , pp. 17-18. the original profile appeared in the new yorker 26 may 13, 1950 ; . 63. a moveable feast, p. 36. in a telephone conversation with the authors on may 1-6, 1979, patrick hemingway emphasized the importance of turgenev to his father. he also commented on his father's affection for longfellow's translation of dante's divine comedy. some of patrick hemingway's remembrances including comments on literature, can be found in "my papa, papa, " playboy 15 dec. 1968 ; : 197-200 and 263-68. 64. a moveable feast, p. 133. for hemingway's criticism of tolstoy's theory of history, see "old newsman writes: a letter from cuba, " esquire 4 dec. 1934 also in by-line: ernest hemingway, p. 184. for more on tolstoy, see men at war new york: crown, 1942 ; , p. xvii, and eh to charles poore, jan. 23, 1953, in hemingway at auction, 1930-1973, edited by matthew j. bruccoli and c.e. frazer clark, jr. detroit: gale research co., 1973 ; , p. 167. 65. a moveable feast, p. 134 and play poker game. 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Video simulators the current generation of video simulators, recently on display at the international law enforcement educators and trainers association ileeta ; conference, exhibited an impressive and everincreasing level of electronic sophistication. conditional branching and verbal interaction are now standard. prop pistols, rifles, and shotguns function realistically and no longer have tethers. batons, tasers, flashlights, and oc are all now optionally integrated into scenarios, and sound systems are vastly improved, providing enhanced realism and scenario immersion. the downside with all current systems is still the fact that action is limited to a relatively small screen in front of participants, and they are thus not compelled to look all around, look up and down, move more than short distances, or turn to face threats coming from the side or the rear. randy revling and his colleagues at northeast wisconsin technical college in green bay, wi, have effectively addressed these shortcomings by integrating physical roll playing into videosimulation training. it is an idea i wish i'd thought of! tony blauer and his crew demonstrated this idea at the conference by inviting four video simulator manufacturers to participate in a roundrobin presentation, where students were compelled to interact with live actors coming in from the sides and rear ; as video scenarios played out on the screen. during the session, students had to deal with several developing circumstances, from all angles, simultaneously. it struck me that this is an excellent enhancement of video simulation training and one we all need to adopt and make standard. until all video simulators adopt an imax format, tony's idea will be the next-best thing! something else struck me as i watched students going through this training: of all video simulator manufacturers, fats and caps are the ones most closely associated with american policing. their scenarios are realistic and reasoned. conversely, systems manufactured in asia, europe and elsewhere, though electronically sophisticated, displayed obvious cultural gaffs. the problem is that asians and europeans know nothing about guns or shooting, and their scenarios are heavily influenced by american movies and television, to which they mistakenly looked for verity. for example, we see criminals, upon being shot, flying into the air and landing on the deck ten feet distant. at the beginning of each video scenario, script on the screen reminds students to "load your weapon, " as if weapons were unloaded up until that point! and, at the end of the scenario, we are admonished to "make your weapon safe" as if that were possible! ; . they apparently believe all police weapons should be immediately unloaded after the presumed last round is fired, while gun smoke still hangs in the air! it is painfully obvious that europeans believe there is no such thing as legitimate self-defense, that police officers are expendable, and that violent criminals should never be shot under any circumstances. that naive philosophy is betrayed in, of all places, video trainers marketed to american police! fats and caps, while not perfect, still have the best scenarios for training american police. i particularly like dave young's caps system, because it is designed for use with live fire. however, we cannot, of course, integrate live fire with roll-playing. 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"nonsense! you've the jumps, dear, " said mrs. inglis, picking up a remaining rasher of bacon on a fork, and putting it into her capacious mouth. mr. tilly was delighted at making any impression at all on either of these impercipient females. "talton!" he called at the top of his voice. "why, what's that?" said talton. "almost hear his voice, do you say, mrs. inglis? i declare i did hear his voice then." "a pack o' nonsense, dear, " said mrs. inglis placidly. "that's a prime bit of bacon, and there's a good cut of it left. why, you're all of a tremble! it's your imagination." suddenly it struck mr. tilly that he might be employing himself much better than, with such extreme exertion, managing to convey so slight a hint of his presence to his parlour-maid, and that the sance at the house of the medium, mrs. cumberbatch, would afford him much easier opportunities of getting through to the earth-plane again. he gave a couple more thumps to the table and, wishing himself at mrs. cumberlatch's nearly a mile away, scarcely heard the faint scream of talton at the sound of his blows before he found himself in west norfolk street. he knew the house well, and went straight to the drawing-room, which was the scene of the sances he had so often and so eagerly attended. mrs. cumberbatch who had a long spoonshaped face, had already pulled down the blinds, leaving the room in total darkness except for the glimmer of tie night-light which, under a shade of ruby-glass, stood on the chimneypiece in front of the coloured photograph of cardinal newman. round the table were seated miss ida soulsby, mr. and mr; . meriott who paid their guineas at least twice a week in order to consult their spiritual guide abibel and received mysterious advice about their indigestion and investments ; , and sir john plaice, `who was much interested in learning the details of his previous incarnation as a chaldean priest, completed the circle. his guide, who resealed to him his sacerdotal career, was playfully called mespot. naturally many other spirits visited them, for miss soulsby had no less than three guides in her spiritual household, sapphire, semiramis, and sweet william, while napoleon and plato were not infrequent guests. cardinal newman, too, was a great favourite, and they encouraged his presence by the singing in unison of "lead, kindly light": he could hardly ever resist that. mr. tilly observed with pleasure that there was a vacant seat by the table which no doubt had been pliced there for him. as he entered, mrs. cumberbatch peered at her watch. "eleven o'clock already, " she said, "and mr. tilly is not here yet. i wonder what can have kept him. what shall we do, dear friends? abibel gets very impatient sometimes if we keep him waiting." mr. and mrs. meriott were getting impatient too, for he terribly wanted to ask about mexican oils, and she had a very vexing heartburn. Auditor: despite paying an additional 0, 000 in play 3 card poker machine tax he advised the commercial club continued to support the local community and charities by monetary donations of approximately 0, 000 during the previous year. 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Number of children is acceptable. it is not. we should, instead, set our sights on the ultimate victory knowing that, even if we do fall short of the mark, we will end up at a far better place than at present. editor's note: the author can be contacted at the national child protection training center, winona state university, 227 maxwell hall, winona, mn 55987; by phone at 507 457-2890 or by e-mail at victor.vieth ndaa-apri.
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